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ABBY CLARKE | performance designer

Abby Clarke's set design for Beauty and the Beast featuring cabinets of curiosity on a stage with golden light and performers

ABBY CLARKE
performance designer

Design for performance, events and installations

Abby Clarke's costume design for Unfortunate- the purple broken hull of a ship as a backdrop to a colourful collection of performers with Ursula floating in a giant mirrorball above

A shaft of light through broken rafters in a theatre space, onto a candlelit table

Abby Clarke's set and costume design for Beauty and the Beast, large cabinets of curiosities in a gold frame with performers standing in pools of golden light

Costume design by Abby Clarke - a leather-clad figure with scissorhands stands spotlit on stage by a microphone

A group of performers, dressed like woodland animals, in front of a forest scene with a giant moon

Abby Clarke's set design for Image of an Unknown young woman, A woman stands on a blue shadowy stage, surrounded by concrete and mesh

Abby Clarke's design for As You Write It, Performers stand, holding protest signs on colourful blocks in an explosion of rainbow confetti

Dia-Beat-Es Designed by Abby Clarke, a man stands behind a dj booth, framed by glowing circles while two performers dance on either side

ROAD - designed by Abby Clarke, many performers in different rooms, across two levels of a house framework are silhouetted against a white background

Abby Clarke's set design for Alphabus, a dancer emerges from a split in staging, surrounded by mesh and lit in red

Abby Clarke's set design, two performers leap in front of curved whale bones and shimmer curtain and spotlights

Abby and Ella Clarke's installation design for The Show Windows, a building site at night, covered in scaffolding, lit with tube lights and geometric colourful shapes

Abby Clarke's design for the Allesley Silas - A group of performers dressed in 18th century rustic clothing dance under a big top, surrounded by bunting, fabric flowers, crates and hanging tapestries

Abby Clarke's set and costume design for City Final, a man stands at the top of a metal staircase, screens are projected behind him and lengths of newspaper reach up to him.

Abby Clarke's set design for H.M.S. Pinafore - an outdoor theatre stage shaped like the prow of a battleship, with bunting, performers dancing and smoke coming out of the gun turrets

Abby Clarke's design for Bird in the Window - a man stands by a doorway in front of a curved wall of shelves, painted in a sunset hue. Light streams through a window, lighting the feather he is holding.

Abby Clarke's set and costume design for Luminosity - a woman stands with her back to the audience, watching her childhood photographs projected on a greenhouse wall

Abby Clarke's set and costume design for SWIM - a woman in a wetsuit leaps in the air in front of translucent steps and a watery projected backdrops, two performers in swimwear run behind her

Abby Clarke's set and costume design for Prince Gorge -A man in a red suit, embellished with a giant red velvet mouth and teeth stands in front of red velvet curtains and red and gold stained-glass style banners

Abby Clarke's Design for the Abida Parveen concert - a woman in a long flowing skirt dances in front of red and gold voile drapes

Abby Clarke's set and costume design for Our Friend in the North - a woman in stockings and a satin dress sits with her head in her hands amongst concrete blocks and mesh, lit in pink

Abby Clarke's set design for The Furies - a woman sits, surrounded by plastic, in front of a blood-red and blue backdrop and sculptural red mesh hanging structures.

Abby Clarke's set and costume design for Retold- two performers in 1940s trousers, shirts and ties dance in front of marble pillars in a printing press foyer

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